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Studio99

STUDIO DI ARCHITETTURA

Progettazione e realizzazione spazi

Articles by studio99-adm

Published 5 Aprile 2016

Private House in Barcelos, Portugal

PORTUGAL – BARCELOS
RUI GRAZINA

Private House in Barcelos, Portugal

PHOTO BY NELSON GARRIDO – WWW.NGPHOTO.COM.PT

Nelson Garrido – www.ngphoto.com.pt

The plot has an area of 3380 sqm, part of which located in a green protection area. The house has 304 sqm of total area, and a gross building area of 288 sqm. The house footprint is designed based on the articulation between the existing alignments and the new proposed access road, which enables both car and foot access. Given the context, our objective was to turn the living spaces to east, considering this is where the most interesting visual points are, and to make rooms face south due to the quality of sun exposure, privacy and relationship with the existing topography. On this side of the building the existing ground level is higher, enabling a connection and continuity between interior and exterior. On the overall, we can say that the social areas are at ground level, and the private areas on the upper level.

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Nelson Garrido – www.ngphoto.com.pt

Rui Grazina

Rui Grazina

Rui Grazina

Rui Grazina

CREDITS

PHOTO

Nelson Garrido

fonte http://divisare.com/projects/314448-nelson-garrido-www-ngphoto-com-pt-rui-grazina-private-house-in-barcelos-portugal?utm_content=buffer8e0e2&utm_medium=social&utm_source=facebook.com&utm_campaign=buffer

Published 5 Aprile 2016

La nuova stazione metro del World Trade Center

Repubblica.it

New York, pronta la nuova stazione metro del World Trade Center

  • New York, pronta la nuova stazione metro del World Trade Center 
A quindici anni dall’attacco alle Twin Towers, che oltre alle torri distrusse la stazione metro sottostante, il World Trade Center ha un nuovo hub dedicato ai trasporti. E’ pronta la stazione disegnata dall’archistar Santiago Calatrava: dovrebbe entrare in funzione entro la fine di questo mese (Marzo 2016). Il progetto è costato una fortuna, 4 miliardi di dollari, è ha sollevato critiche anche per il tempo di realizzazione: il doppio di quello previsto. Basti pensare che la stazione è costata più del One World Trade Center nelle vicinanze, il grattacielo più alto degli Stati Uniti. L’hub del WTC è una sorta di “cattedrale” che lascia filtrare la luce naturale al suo interno. Una lunga sezione inoltre, chiamata The Oculus, sarà aperta nei periodi più caldi dell’anno e, di sicuro, nella gironata dell’11 settembre.

http://www.repubblica.it/esteri/2016/03/02/foto/new_york_pronta_la_nuova_stazione_metro_del_world_trade_center-134612048/1/?ref=HRESS-3#1

Published 5 Aprile 2016

TURKEY – BURSA BINAASTUDIO Argul Weave

TURKEY – BURSA
BINAASTUDIO

Argul Weave

Thomas Mayer

Argul Weave is sited in Bursa Turkey located 100km south of Istanbul in the Asia Minor peninsula. Bursa is home to Turkey’s historic and celebrated textile industry which is witnessing a rebirth to position itself as a regional and international leader. Located on the corner of Koklu Cd and Kirkpinar Cd the project site sits at the center of this manufacturing district and is the first in a planned series of interventions to redevelop the area.

Thomas Mayer

The client is a textile distributor with his existing facility directly adjacent to the East ofthe project site. From its inception the ArgulWeave was planned as a mixed-use development to attract international textile businesses to refocus and rebrand the district as a leading manufacturing textile hub. The Weave is 4,500 SQM distributed over three stories with retail on the ground floor, offices on levels two and three and capped off with a rooftop restaurant.

Thomas Mayer

To satisfy the clients vision the design considered the rich tradition of Turkish textiles and their making through the interweaving of individual threads by giant looms. This motif offered a means to integrate the disparate parts of the project into a singular and coherent whole while making a clear statement as to the importance of this district. The material palette was kept to a minimum to emphasize the continuity and plasticity of the design. Patara Marble quarried from Burdur, Turkey and fabricated in Afyon forms the sinuous banding of the façade. Dark red marble from the Turkish Aegean region forms the buildings plinth and reddish brown Iroko wood from West Africa clads the inner areas of the weave. As one walks along the façade its undulations create a changing rhythmical pattern that are enhanced by the continuous play of light and shadow evolving throughout the day.

Thomas Mayer

On the interior the Iroko wood of the façade projects in on the ground floor to form fully glazed entry vestibule vitrines creating a warm transition between exterior and interior. Levels two and three are animated by the alternating in and out and up and down of the façade banding that creates a unique and asymmetric view for every window opening. The vertical strands of the façade terminate at the rooftop forming crenellations from between which is a serial framing of the surrounding district and the distant Uludag Mountains that anchor the city.

Thomas Mayer

The designs execution relied on a unique and collaborative process that included a diverse group of team members situated in different regions and continents. Digital technologies were tailored to adapt to local practices for fabrication and construction. Master digital models were used to fine tune and control all geometries and construction assemblies and also used as a means to evaluate costs. Often time’s constraints from the fabricators were fed back into the model to further tune the geometries and design as required. As in the design the overall process can be conceived as an interwoven collaboration of actors located in distinct geographies. Research, design and execution fed each other in parallel progressions throughout the project that led to the realization of the Argul Weave.

Thomas Mayer

Thomas Mayer

binaastudio

Thomas Mayer
by  http://divisare.com/projects/313888-binaastudio-argul-weave?utm_content=buffer74b79&utm_medium=social&utm_source=facebook.com&utm_campaign=buffer

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Format Immagine – Published 25 Marzo 2016

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